Renowned Malayalam cinematographer T.N. Krishnankutty passes away
The veteran behind more than 70 Malayalam films has died, prompting tributes across the industry.

Veteran cinematographer T.N. Krishnankutty, whose camera work shaped over seventy Malayalam movies, died recently, The Hindu reported. His passing marks the end of a career that spanned several decades and left an indelible mark on Kerala’s film landscape.
Krishnankutty began his journey in the 1970s, a period when Malayalam cinema was experimenting with new narrative forms. Over the years he collaborated with a host of directors, adapting his visual style to suit everything from gritty social dramas to lyrical period pieces. While specific titles were not listed in the announcement, his extensive filmography reflects a versatility that earned him respect among peers and filmmakers alike.
The Malayalam film industry, often praised for its realistic storytelling and strong literary roots, relies heavily on cinematographers to translate nuanced scripts into compelling visual narratives. Professionals like Krishnankutty have traditionally balanced artistic ambition with budget constraints, a skill that contributed to the region’s reputation for high‑quality, low‑cost productions. Their work not only defines the aesthetic of individual films but also influences broader trends in Indian cinema.
News of his death has prompted an outpouring of condolences on social media, with actors, directors and technicians recalling his professionalism and mentorship. In Kerala, it is customary for film fraternities to hold memorial screenings or dedicate upcoming releases to departed colleagues, underscoring the close‑knit nature of the community.
Krishnankutty’s legacy will endure through the visual language he helped craft for Malayalam cinema. As newer generations of cinematographers emerge, they inherit a body of work that exemplifies how lighting, composition and movement can elevate storytelling, a testament to the lasting impact of a veteran who devoted his life to the art of film.
This report is based on original reporting by The Hindu. Read the original source →